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Global TV, Film & Media Industry News Roundup, Weekend 28-29 June 2025

Global TV, Film & Media Industry News Roundup, Weekend 28-29 June 2025

Comcast exits Sky Deutschland, California boosts tax credits, Apple innovates F1 film, UTA expands, BBC cuts docs, Cameron, Reeves & Amazon launch major scripted projects.

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Steven Hindes
Jun 28, 2025
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Global TV, Film & Media Industry News Roundup, Weekend 28-29 June 2025
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Today’s Highlights:

  • Comcast Sells Sky Deutschland to RTL Group – A pivotal change in European media ownership, reshaping the pay-TV landscape across multiple countries.

  • California Approves $750M Film & TV Tax Credit Expansion – A major policy shift with global implications for production location decisions and industry economics.

  • Apple’s Formula 1 Film Uses iPhone and Haptic Tech – Apple’s innovation in both production and theatrical marketing highlights its growing influence in the entertainment industry.

  • UTA CEO David Kramer Expands Beyond Film and TV – Marks a strategic evolution of one of Hollywood’s major agencies as it pivots into new sectors.

  • BBC Reduces Storyville Output and Seeks New Head – Raises concerns about the future of international documentary storytelling on a globally respected platform.

  • Shadowbox Studios Secures £250M for Shinfield Studios Expansion – Reflects continued investment in UK production infrastructure amid rising international demand.

  • Matt Reeves Confirms The Batman Sequel Script Completion – A highly anticipated franchise continuation with strong audience and commercial expectations.

  • James Cameron to Direct Hiroshima Film Based on Personal Vow – A major auteur returns to a socially resonant project, backed by a powerful personal story.

  • Amazon MGM and Scott Stuber Acquire Rights to The Tenant – Illustrates ongoing demand for bestselling IP and Amazon’s growing commitment to premium storytelling.

  • Karen Read Murder Case Adaptation in Development – Adds to the booming true-crime scripted genre with potential for cultural and legal controversy.

Plus: Insights, Executive Moves, Festivals & Markets, In Development, Deals, Renewals, Cancellations & Jobs with Banijay, Paramount, Roku & Netflix in Sydney, London, LA & NYC.


Our subscribers receive one clear, concise daily bulletin that distils the latest global TV, film, and media headlines, deals, exec moves, and job listings.

Our subscribers include executives from:

  • Streamers: Netflix, Apple, Viaplay, SkyShowTime, Amazon Prime, Marquee TV, Paramount Television International, MTV Entertainment Group, BET, Cineverse.

  • Broadcasters: NBC Universal, France Televisions, Sky, ABC, Channel 4, ITV, A+E Networks, CBC, TV2, SVT, ARTE, RTBF, SBS Play, TCL FFalcon, RTL, TVNZ, SRF, Kanal D, UKTV, Ceská Televize, FOX.

  • Producers: Fifth Season, Sony Pictures Television, Banijay, Fremantle, Endemol Shine, Gaumont, Pathé, Warner Bros Television Productions, Universal Pictures International Australasia, UFA Fiction, Vivendi, Entertainment One, BBC Studios, Warner Bros Discovery, Talpa Studios, Keshet, Tiger Aspect, Wild Bunch TV, Red Planet Pictures, Go Quest Media, Eureka Productions, The Ink Factory, Nordisk Film, Reel One Entertainment, Bunya Productions, Beach House Pictures, Beyond, The Global Agency, Esha Bargate Productions, blue Entertainment, Paper Plane Productions, Paprika Studios, Playmaker, Off the Fence, Goalpost Pictures, Spin Master, Stand By Me, Halcyon Studios, DPG Media, Envision, Rive Gauche, Blue Ant Media, Squareone, Great Southern Studios, Collective Media Group, New Dominion Pictures, RAW TV, Optomen, Magpie Pictures, KOJO, ShinAwiL, WildBrain, Nine Daughters, Amazon/MGM Studios, October Films, Legendary Entertainment, Bad Wolf, Mediapro, Bron, Red Arrow.

  • Also: Aarhus Series Festival, The Wit, Norwegian Film Commission, New Zealand Film Commission, IMDA, MIA, Getty Images, Ottawa Film Office, Simkins, Harbottle & Lewis, Screen Brussels, Sheffield DocFest, FilmChain, Documentary Business, Zero Gravity Management, SXSW, MEA, DOC, Attraction Distribution, Kaplan Stahler Agency, Passion Distribution, Audible, Screen Queensland, Canada Media Fund, My Smash Media, Artists First, Grey Seal Media, Screenforce Finland, BAFTA, IMAX.

INSIGHTS

How iPhone Apps Helped Shoot Apple’s High-Speed F1 Film

As Apple Original’s F1 hits theatres this weekend, cinematographer Claudio Miranda reveals surprising tools behind its high-speed visuals. While much attention goes to the film’s IMAX effects and custom camera rigs, Miranda shared that custom iPhone 15 Pros and select smartphone apps played a key role in planning and executing shots. These apps, he says, were essential to streamlining the cinematography process alongside director Joseph Kosinski. Read More


Universal Refutes Claim It’s Dropping French-Language Films

Following reports that Universal Pictures International France would stop handling local films, a source told Variety the studio will continue releasing French-language titles but with more selectivity. The source clarified that executive Xavier Albert was misquoted. Universal’s local output has focused on broad, high-concept comedies and family films—genres increasingly suited to streaming platforms like Netflix and Prime Video. Read More


Newark Film Studios Marks Six Years as East Coast Production Powerhouse

Just steps from Newark Penn Station, Newark Film Studios has become a hidden gem for filmmakers seeking authenticity without the high price tag of New York. Now in its sixth year, the studio at 744 Broad Street has doubled for cities like Manhattan and D.C. in projects including Joker, West Side Story, and The Equalizer. Founder Joseph Dabbah calls it “one of the most filmed locations in New Jersey.” Read More

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Jurnee Smollett on Embracing Complexity in Smoke and Beyond

Jurnee Smollett, known since childhood for her roles in Eve’s Bayou and Full House, continues to seek out roles that challenge her. “I never want to be pigeonholed,” she tells The Hollywood Reporter. From superheroes to grieving mothers, Smollett says she thrives on transformation: “I’m so fortunate that I get to step into all these different professions.” Read More


David Kramer Leads UTA Into New Era Beyond Film and TV

As Hollywood faces contraction, new UTA CEO David Kramer is steering the agency toward broader horizons. His first major move: spotlighting UTA’s presence at the Cannes Lions Festival, emphasising its growth in branding, marketing, and the creator economy. Kramer, who joined UTA in 1992 from USC’s Peter Stark Program, says the agency’s startup spirit is key to its expansion beyond its film and TV roots. Read More


Micro Dramas Spark Hope for Korean Screen Revival as China Eyes Global Expansion

As the APOS convention wrapped in Bali, industry leaders pointed to micro dramas—short-form vertical videos—as a potential game-changer. Zhou Yuan, CEO of Content Republic, predicted international markets will soon mirror China’s booming micro drama trend, now worth $6–7 billion. While China pushes global growth, Korea’s struggling screen industry sees micro dramas as a lifeline amid declining box office returns and reduced TV production. Read More


Mariska Hargitay Explores Her Mother's Legacy in New Documentary

After producing HBO’s I Am Evidence in 2017, Mariska Hargitay was often asked if she’d ever make a film about her mother, actress Jayne Mansfield. Initially uninterested, the Law & Order: SVU star began reconsidering during the COVID-19 shutdown. Reflecting on Mansfield’s 1967 death and reading heartfelt letters from those who knew her, Hargitay felt a growing need to uncover the woman behind the Hollywood icon. “I started really wanting to know who she was,” she tells The Hollywood Reporter. Read More

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Disney Sticks With Linear TV as Part of Long-Term Distribution Strategy

At the UCLA Entertainment Symposium, Disney Entertainment co-chair Dana Walden confirmed the company has no plans to sell off its linear TV assets, unlike moves by NBCUniversal and Warner Bros. Discovery. In a keynote Q&A with attorney Ken Ziffren, Walden emphasised Disney’s strategy of balancing streaming and traditional platforms, stressing the continued profitability of linear TV as part of the company's broader distribution vision. Read More


Josh Weidling’s Digital Tour Bus Hits 500K Followers with Behind-the-Scenes Music Content

Since launching Digital Tour Bus in 2010, Josh Weidling has built a following of over 500,000 across YouTube, TikTok, and Instagram, amassing more than 9,000 videos that showcase musicians’ tour buses. His “MTV Cribs”-style interviews give fans an inside look at artists’ lives on the road, evolving from MySpace-era band promotions to a multi-platform success. Read More


Event cinema drives Trafalgar Releasing into UK top-10 distributor

In 2025, Trafalgar Releasing entered the UK’s top 10 distribution rankings thanks to booming event cinema revenues. The Picturehouse Entertainment spin-off, now under Trafalgar Entertainment, has grown through blockbuster concert films like Taylor Swift: The Eras Tour and BTS: Bring the Soul, global expansion into 120 + territories, the 2019 More2Screen acquisition and the launch of US operations, cementing its position beyond niche markets into mainstream distribution. Read More


Orwa Nyrabia on Leading IDFA Through Transformation and Turmoil

Outgoing IDFA artistic director Orwa Nyrabia reflects on his seven-year tenure, marked by pandemic upheaval, staff protests, funding battles, and bold curatorial choices. He speaks candidly about leadership under pressure, rebuilding trust, and championing politically urgent films while navigating structural reform. Nyrabia departs with plans to return to producing documentaries, leaving IDFA with a stronger public identity and deeper industry engagement. Read More

Inside the Word-of-Mouth Success of The Ballad Of Wallis Island

UK indie comedy The Ballad Of Wallis Island, directed by James Griffiths and written by Tom Basden, has become a word-of-mouth hit thanks to an unconventional campaign backed by comedians, podcasters, and director Richard Curtis. Premiering at Sundance and filmed in Wales over just 18 days, the film’s humour, heart, and strong cast, including Tim Key and Carey Mulligan, sparked organic buzz and a grassroots marketing push. Read More


Apple’s Eddy Cue on Pioneering Haptic Trailer for F1 Film

Apple’s Eddy Cue discusses the tech giant’s innovative haptic-enabled trailer for its upcoming Formula 1 film, starring Brad Pitt and directed by Joseph Kosinski. Debuting in select US theatres, the trailer offers tactile vibrations to mimic F1 sensations, representing Apple’s drive to deepen audience immersion and showcase Apple Vision Pro’s potential. Cue hints at broader ambitions for cinema-tech integration as Apple expands its entertainment footprint. Read More

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BBC Cuts Storyville Output Amid Budget Pressures, Seeks New Leadership

The BBC is scaling back its acclaimed Storyville documentary strand, reducing annual commissions by 20% due to financial constraints, though its budget remains unchanged. The move follows the resignation of Emma Hindley, Storyville’s lead commissioner, who cited a conflict of interest. As the BBC searches for a new head, concerns grow over the future of international documentary storytelling on the network. Read More

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